I corpi presentano tracce di violenza carnale altyazı (435838)

I corpi presentano tracce di violenza carnale
(1973)

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THE BODIES SHOW SIGNS
OF CARNAL VIOLENCE

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This painting of St. Sebastian
is in effect a Hellenistic statue...

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set against a magnificent
Renaissance background.

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His martyrdom and suffering
leave us relatively unmoved.

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Notice how Perugino,
that Umbrian peasant...

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could transform the local rustics
into saints and madonnas.

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Notice how he surrenders to this tragedy of
pain and suffering with lyrical indifference.

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Perugino was reluctant to paint blood...

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so his tears are like drops of dew
under his eyes.

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His scenes rarely exude an air of drama.

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This is true of his St. Sebastian in
Stockholm and also of the one in the Louvre.

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Everything is bathed in an elegance
approaching the supernatural.

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Here, the figure seems to be traced
directly from ancient Greece.

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In a very personal way...

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Perugino had absorbed the lesson
of the great Piero della Francesca...

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only to decline in his later years into a sort
of convoluted and provincial formalism...

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that decidedly undermines the power...

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and originality of his later work.

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That is all for today.

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Come on, Dani.
I want to ask him something on the way out.

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- There he is.
- Professor.

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